In his third novel, Ford returns with a story framed much like his debut best seller, Hotel on the Corner of Bitter and Sweet. A historical romance with a Chinese American boy and a Japanese American girl as its centerpiece, the story moves between two time periods: that of the 1909 Alaska Yukon Pacific Exposition and the 1962 Century 21 Exposition. Basing his narrative on research of actual events and people, including one unfortunate child named Ernest Young, who was raffled off at the 1909 World's Fair and a notorious "madam" of elite companionship, Ford ambitiously attempts to highlight social movements and ills of the time. The novel starts off strong, weaving Ernest's tale with the flourishing of human trade from East Asia to the United States (more than 50 years after the Emancipation Proclamation), then going on to portray the height of Seattle's red-light district against the peak of Washington state's suffrage movement. The latter half of the book feels rushed, with what is perhaps a too-tidy ending. Still, it's a laudable effort that shines light on little-known histories. VERDICT With its chivalrous protagonist, this coming-of-age story-cum-romance has just enough emotional resonance to move most readers. [Library marketing.]—Suzanne Im, Los Angeles P.L.

In this uneven novel from Ford (Hotel at the Corner of Bitter and Sweet), the 1962 Seattle World's Fair brings back memories for Ernest Young, né Yung Kun-ai, a man in his 60s. In 1902, Ernest travels in steerage to the United States and ends up in a Seattle orphanage. In 1909 he's auctioned off at the World's Fair, becoming a houseboy in an upscale brothel in the Tenderloin district. There he befriends Fahn, a Japanese girl who was in steerage with him seven years prior, and Maisie, the madam's daughter, falling in love with both of them. Back in 1962, it's made clear that Ernest's ailing wife, now called Gracie, shares his difficult past—but which girl he married frustratingly isn't revealed until late in the book. Their grown children, Hanny, a Vegas dancer, and Juju, a journalist, don't have the full story about their parents' history until Juju discovers an article about a boy auctioned off at the 1909 fair whose name was "Ernest" and wants to delve further into it. Despite the book's flaws, Ford nevertheless excels at juxtaposing Seattle in the 1910s, with its Temperance movements, prostitution, and political involvement in the city's underbelly, against the glitter and promise of the 1962 World's Fair. (Sept.)